![]() MM: I think, in addition to being about all those existential concerns mentioned earlier, the “Anomalous” story revolved around failure. Which themes are you looking to explore with the “Roche Limit: Clandestiny”? Continued below When all is said and done, I think the “Roche Limit” trilogy will stand as an existential experience that really stands apart from other books.īesides being an exciting series, the first volume of “Roche Limit” dealt with some deeper themes. Who are we, where are we headed? It’s kind of like “2001” in that way (if I can be so bold), where the sum of the parts is much larger than the pieces. ![]() The main thread tying all three volumes together is thematic, in the story of the human journey that’s being told. A little to the overall mythology, but nothing crucial. Will the company and previous story threads and characters make an impact in the second volume of “Roche Limit”? It seems like there’s a connecting thread between the first volume and the first issue of “Clandestiny” with the mention of MoiraTech. I think we will see Vic more, one way or another! Kyle’s art lends itself to this, and Matt’s beautiful colors paint the entire world in this dream-like hue, which is perfect for what we’re trying to achieve. Where “Anomalous” was a more controlled, precisely plotted story, “Clandestiny” is a little more wild and unpredictable. Kyle is a bit rougher and more kinetic, which makes him such a perfect fit for “Clandestiny”. While their linework is quite different, their storytelling is fairly similar. You’re right on in your assessment, and what I think Kyle brings is fairly similar to Vic, in that they are both heavily influences by Moebius and other European storytellers. MM: First, I love both artists and am beyond lucky to get to work with each of them. What does Kyle Charles’ art bring to the second volume’s story that differs from Vic Malhotra’s gorgeous contributions to the first volume? And will we see more from Malhotra in the world of “Roche Limit”? Even Matthew Battaglia’s gorgeous colors make the issue brighter with its neon hues. Vic Malhotra brought a grittier look to volume one and aided in making the noir aspects of the story stand out, while the first issue of “Clandestiny” has a more purely science fiction feel to it. The art for the both the first and second volumes is vastly different from one another. Dick and Ray Bradbury loom over everything–I would be remiss not to mention those masters. ![]() “Aliens” in its insanely cool visuals and slick storytelling and “Solaris” for its meditative approach to grief, reality, dreams, and longing. In “Clandesitiny”, I think you’re looking at a blend of “Aliens” and “Solaris”. Both have really salient things to say about human nature and who we are, as people–what makes us unique. In the first volume, “Anomalous”, I was definitely channeling Blade Runner and Dark City, both philosophically and visually. Michael Moreci: My influences are all over the map, to be honest. What genres and influences are evident in “Roche Limit: Clandestiny”? What were your influences while writing “Roche Limit”? The first volume had a great blend of science fiction and noir and “Roche Limit: Clandestiny” is quite different from the first volume. Make sure you pick up a copy of “Roche Limit, Volume 1” and reserve a copy of “Roche Limit: Clandestiny”, which is released on May 6, from your local comic book shop. Just below our interview, check out five exclusive pages from “Roche Limit: Clandestiny” #1, and check back later today for an opportunity to win some cool “Roche Limit” swag! Moreci was nice enough to let me interview him about the “Roche Limit,” its influences, and the amazing collaborators he gets to work with on the series. Titled “Roche Limit: Clandestiny,” the first issue takes a different direction and look, with volume one artist Vic Malhotra passing art duties on to Kyle Charles. Writer Michael Moreci follows up the first part of his “Roche Limit” trilogy, “Anomalous,” with volume two in May. Intriguing storytelling, gorgeous art, and dynamic colors made up a science fiction story that coaxed you into pondering deeper meanings while having a fun time. “Roche Limit” was one of my favorite series of 2014 for good reason.
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